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"Is truth insolence?" asks Rodney. "If so, I demand your pardon. My speech, no doubt, was a betise, yet it came from my heart." "Have they taught you to hate me already?" he asks, in a low, compressed tone, that make her nerves assert themselves. "Do you know, Mona," says the young man, sorrowfully, "you are too good for me,—a fellow who has gone racketing all over the world for years. I'm not half worthy of you.".

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"It is now my turn to demand obedience," says Mona, with a little wan attempt at a smile. "Will you make every hour of my life unhappy? Can I live in the thought that each minute may bring me evil news of you,—may bring me tidings of your death?" Here she gives way to a passionate burst of grief, and clings closer to him, as though with her soft arms to shield him from all danger. Her tears touch him. "I am afraid of nothing," says Mona, simply. "I am not half so much afraid as you were a few moments since, when you could not let your eyes meet mine, and when you shrank from answering me a simple question. In my turn I tell you to pause before going too far." "Well, I think you would, for a moment or two at least," returns he, smiling grimly, and dropping the dangerous little toy with some carelessness into his own pocket. It is a very curious and obsolete, if singularly charming, performance, full of strange bows, and unexpected turnings, and curtseys dignified and deep..